It derives ultimately within the English phrase "my lord", which was borrowed into Center French as millourt or milor, meaning a noble or prosperous guy.[1]

Het chanson verwoordt de gevoelens van een 'havenmeisje' dat verliefd wordt op een welgestelde higher-class Britse reiziger (ofwel "milord") die ze een aantal keren heeft zien lopen in de stad vergezeld van een mooie jonge vrouw. De zangeres voelt zich vervolgens slechts de 'schaduw van de straat'... (ombre de la rue).

Irish singer-songwriter Eleanor McEvoy frequently covers the tune in her Stay exhibits, releasing it in her 2014 album, STUFF

"it had been a song I'd left in draft type until one day I discovered the scribbled sheet beside the typewriter Piaf experienced supplied me. I resumed to work with it. When I had created the final term I discovered Edith sitting with a chair driving the bedroom doorway. She was looking ahead to me to finish the textual content (Marguerite Monnot was to compose the music). I was hardly 24 a long time old and, for any calendar year which website i had been dwelling with Piaf, I had the image of an upstart gigolo.

the center French expression millourt, indicating a nobleman or perhaps a abundant male, was in use by all around 1430. It seems to become a borrowing from the English phrase "my lord", a term of handle to get a lord or other noble. Later French variants include milourt and milor; the form milord was in use by no less than 1610.

↑ Een getal geeft de plaats aan en een '-' dat het nummer niet genoteerd was. Een vetgedrukt getal geeft aan dat dit de hoogste notering betreft.

"Milord" (With this use commonly pronounced as, and in some cases composed as, "M'lud": /məˈlʌd/) is not used in legal settings in the United Kingdom any more, as an alternative the form of address for quite a few different types of judges is simply "My Lord".[7][eight] Some courts in copyright As well as in India also use the phrase.[citation required]

It's a chanson that recounts the feelings of the lower-class "Woman of the port" (fille du port, Potentially a prostitute) who develops a crush on an elegantly attired evident higher-course British traveller (or "milord"), whom she has found walking the streets of your town various occasions (with a gorgeous young female on his arm), but who may have not even seen her.

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Světlana Nálepková recorded other version of this music "Milord" in 2003 with lyrics of Jiří Dědeček.

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In-grid sang a remix of "Milord" in her album La Vie en Rose unveiled in 2004. The track was edited to have a faster pace than the first.

it truly is popular to view (in tv or movie portrayals of British courtrooms) barristers addressing the choose as "M'lud". This was the same old pronunciation until about the middle of your twentieth century in courts by which the judge was entitled to be dealt with as "My Lord".[9] having said that, It's really a pronunciation which happens to be now out of date and no more listened to in court.

Edith summoned each of the press to Maxim's to introduce me since the author of "Milord". When, at the start of the film, she suggests: "I'm going to record the massive con's song", and he or she sings "Milord", It can be vexing but probable. right after I still left, she claimed Terrible points about me. She even Practically failed to would like to record "Milord", even though she was aware of its value. it's the only tune in her repertoire that grew to become a world strike. Her impresario Loulou Barrier threatened to stop dealing with her if she was stupid plenty of never to history it".

A synth-pop Edition was recorded with the Hungarian band Napoleon Boulevard, and released as one in 1988.

The singer feels that she's absolutely nothing much more than a "shadow of the road" (ombre de la rue). However, when she talks to him of affection, she breaks via his shell; he starts to cry, and she has The work of cheering him up once more. She succeeds, along with the track ends together with her shouting "Bravo! Milord" and "Encore, Milord".

Benny Hill made a skit modeled over the musical Cabaret, and incorporated the music "Milord," sung — in English — by Louise English, a member of Hill's Angels. It is the closing number during the skit plus the chorus is recurring since the patrons toast each other and toss confetti.

A reworded English address was recorded by Frankie Vaughan during which he clarifies to a man he refers to as Milord that the woman he loves is with someone else and he should forget about her, loosen up, be joyful and discover A different girl.